Joanne Pepperl – Bill Drafter Extraordinaire

She will become really famous.

Much more than she is now.

She is the Revisor of Statutes/Bill Drafter for The Great State Of Nebraska.

We met on Wednesday morning on August 1st.

We will work on a simple common sense bill that defines what a block is, what a blockchain is, what a coin is and what a token is. It will then spell out how those are taxable events for the State to get revenue from.

It will be a landmark law, for it will ultimately cause the computer to pay its taxes as it renders its output.

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Josef & Alon, I evangelized for two whole days…

For all their legislative muster, crypto and blockchain legislation and taxation mechanisms are stalled, because there is no universal agreement as to what is a block, coin, ledger, or blockchain.

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NCSL 8/1/18 – Day 2 – Lance you were right the 1st time…

As you will see by the cards, I had a very busy day yesterday.

And…..for the sake of argument….please hear this out….

THERE CURRENTLY IS NO LEGAL DEFINITION OF WHAT A ‘BLOCK’ IS, NOR IS THERE A STANDARD AS TO WHAT A LEDGER LOOKS LIKE.

Therefore:

THERE IS VIRTUALLY NO TAXATION ON VALID TAXABLE BLOCKCHAIN EVENTS.

We are talking hundreds and hundreds of millions in needlessly lost Crypto tax revenue.

For you Lance, this means pothole repair early and more completely, as you now have the road tax revenue to share with counties

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NCSL Summit – LA Convention Center 7/31-8/1 2018

It’s The National Conference of State Legislatures. Anecdotal evidence indicates they and their suppliers are way behind when it comes to blockchain. Everybody we saw got pieces of blockchain from the PROOF OF CONCEPT BLOCKCHAIN, and what a visual representation of just what A BLOCKCHAIN LEDGER looks like.

Their constituents are owed the ability to SEE THE BLOCKCHAIN RESULTS (called a hash) in the form of a BLOCK. All the blocks are timestamped as part of the process of registry and subsequent usage.

If I was a governmental representative, I too would reject most of the current forms of proprietary blockchain, because you just can’t see the code they use in the transaction process. And there has to be a standard for blockchain output that you all recognize and agree to. For if just one state disagrees with the standard, all have to disagree with the standard. All states must be able to verify each others codes.

But once you can blockchain records together, you yield instant benefits in unneeded duplication, chain of custody timelines, and universal language translation.


It’s not my Tyler Story, but is in my story for Tuesday, July 31st, 2018. Tyler Storys’ story comes up soon….

Jottings: LeBron #44, Super Mario #66, Oprah #117, Jennifer Lawrence #356, Tim McGraw #242, Oprah #117 Thanks to Nashville, Marble, AKC Canine Health Foundation, NARM, Rick Thigpen PSEG Gov’t Affairs, & Ed Green.

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The Order Is Now Out!

  1. Luxor
  2. Plaza
  3. Harrah’s
  4. Slots ‘O Fun
  5. Sunset Station
  6. Caesar’s Palace
  7. Treasure Island
  8. El Cortez
  9. MGM Grand
  10. South Point
  11. Rio
  12. Four Queens
  13. Stratosphere
  14. Silverton
  15. Palms
  16. Golden Nugget
  17. Flamingo
  18. Excalibur
  19. Binion’s
  20. Bellagio
  21. Suncoast
  22. Aria
  23. LinQ
  24. Buffalo Bill’s
  25. Gold Spike
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Apple Stickers!!

The question of today Monday July 31st is:

HOW DO WE MAKE A BLANK GRID APPLE STICKER????

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A Jigsaw Puzzle.

1,000 piece puzzle!

Invention Lives Today!

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Rule #1 Your Colorsign is coded….Brad Pitt …. #269

It almost looks like we are emulating The Blacklist. I do admit to being a James Spader fan since Secretary. Without much further ado, Hollywood producer Cynthia J. Popp checks in with these selections…..

#269 – Brad Pitt

Landmark: Grand Canyon North Rim
Idea/Object: Earbud Translator things
Point in Time: January 1 2000
Place in Space: The Moon

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Tommy Can You Hear Me? (#378)

Tom Cruise (chosen by Francis Konig of BlockHold Capital)

Mt. Rushmore
Google (the stock)
12:01 AM 1/1/1975
Saggitaius A-Star (huge black hole)

Assists: Rosie O’Donnell, 60’s Mission Impossible

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Letter to Fenton….

EDITORS NOTE: This is a work in progress, as long as you see this header. It is a pitch for a television show. And even while you know someone, and have starred in video’s with them, it doesn’t make this any easier to do, so please feel free to comment on this.

We copied a template from the web…..

SHOW TITLE: Four titles come to mind…
The Wall
The Sign
Monument
Blockchain 101

CREATOR: Carol A. Braddock
Keith Herman (provided he buys his shares on time)
Fenton Bailey & Randy Barbato

BACKGROUND & KEY CREDITS: Carol Braddock, aka RED ED, began his art career in 1957 at The Walker Art Center, and in front of his home TV studying TV Snow Patterns.

KEY COLLABORATORS: World Of Wonder executive producers Fenton Bailey & Randy Barbato bring to life the creative team from colorsigns.net as they spawn a myriad of artistic concepts and invention.

FORMAT: 60 minute “Comi-drama”. As most of the ‘drama’ is solved by the use of comedy. A prolog, six acts, and an epilog. 46 actual minutes.

LOGLINE: A new artform and its multi-cultural uses are introduced and explored.

SYNOPSIS: The COLORSIGNS team headed by The Hosts, The Narrator, and The Conceptualists, spend their episodes producing various blockchained artforms. There will be an A-List celebrity (or group of them), that can be interviewed as their painting is being rendered, an exercise with a group of young children (that results in a group collaboration), and the season long effort to have ‘The Monument’ finished by the season finale. Each show will always show a brand new format for colorsign usage.

EPISODE BREAKDOWNS: Episode 1 Introductions of the regular cast members and the hiring of painters, carpenters. Enlisting the help of MILLION DOLLAR LISTING to find the studio space for painting the blocks, and the assembly point for the monument itself. A single sign is finished at the end of an episode. You will also need a set for the taping of corporate decision making.

BASICS: The show arc for this season will feature 378 18×36″ canvases being painted and assembled along the Mexican-U.S. border, and marketed to Mexican art collectors. The assembly of these canvasses will create an artwork 40.5 feet high, and 42 feet wide.

DISTRIBUTION: This is a show that can be internationally distributed. You can make dubs & visual word translations in about 40 languages fairly easily. Colorsigns mean the same thing regardless of the viewers origin. Every art, political, gossip audience, from every country will watch, just based on the statistics that are inherent to the artworks. Once marketing and advertising for the show happen, the audience can only grow, for the question becomes: When are they going to assemble something like this in my country? Kind of like how TOP CHEF goes all around the United States, we would be hopping all around the globe each season.

Merchandising: One of the aspects of the show is that there are 378
designs each with an A-LIST CELEBRITY BASE attached to them. There are also the LANDMARK DESIGNATIONS, and IDEA/OBJECT PRODUCT PLACEMENT OPPORTUNITIES. Shirts, pants, coffee mugs & cups, keychains, water bottles, THE COLORSIGN COKE BOTTLE, the list goes on and on, for if it has a use colorsign has a product for it.
Flor, has premade red, yellow & blue carpet squares for any floor!
(A bunch of segments right there)

THANKS TO: Ann Willmott, Robert Preston Coddington, Robert Williams, David H. Lawrence XVII, Roger Franz Jr., Michael Posner

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